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    <lastmod>2024-12-30</lastmod>
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      <image:caption>Nature:Bad. Economy:Good, 2014 C-print 40 x 60 inches **print by "Some Guy," purchased at Printed Matter, NY</image:caption>
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      <image:caption>Now Is Exactly The Right Time To Talk About Gun Control, 2018 Political art action | installation + video (scroll down for install shots) Marjory Stoneman Douglas High School, Parkland, Florida, February 22, 2018 T-Shirts generously donated by Kayrock Screenprinting, Brooklyn, NY Get yours here</image:caption>
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      <image:caption>2 Artists Locked in a Room for 3 Hours, Berlin, 2011 PLEASE WATCH WITH SOUND ON Single-channel video, video duration: 2min 24sec Featuring Kandis Williams + Jordan Nassar Music: Of Montreal, "Oslo in the summertime” Like Warhol's Screen tests, this video is unscripted and took place with no direction. The video recorder on the desktop computer was simply turned on. The artists knew they were being filmed - which magnified certain performative tendencies, while adding degrees of voyeurism to the piece. Unlike Warhol's Screen tests, this piece was (obviously) heavily edited. Kandis is represented by Night Gallery in LA and has shown at Frieze, London. Jordan is represented by Anat Ebgi Gallery, LA and had a solo booth at Frieze NY in 2018. Both lived in Berlin during the “aughts.”</image:caption>
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      <image:title>Artwork - COUCH</image:title>
      <image:caption>This is a mash-up I made using Max with 2 videos from way back in the Berlin times. It’s a fake advert for my couch, which I LOVED and which enjoyed 15 minutes of fame during the naughties in Berlin. Music by Jake the Rapper. Cameos by a lot of awesome folks.</image:caption>
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      <image:caption>Unfinished Business: Manifesto This project took 5 years to complete. I collected all of my left-over business cards from 4 art galleries and 1 expat magazine, where I worked during (or just prior to) my time in Berlin. I had about 800 cards left over from stints at Gagosian Gallery, Goff+Rosenthal Gallery (RIP), BodhiBerlin (RIP), Wilde Gallery (RIP) and ExBerliner magazine.  Based on my experiences working in the Berlin art world, I wrote the Manifesto shown above and printed it as the printer ink was running out. I then made the text into a stamp and stamped one side of each of my business cards.  I exhibited these cards in a 1-night only solo exhibition by installing them in a mosaic pattern on the wall, vaguely reminiscent of a Native American pattern. Exhibition guests then purchased the cards (3euro-7euro each) and removed them from the wall. Cards were also sold via Kickstarter for those who could not attend. The project is fully described on the Kickstarter page. This exhibition prompted a journalist for the German newspaper Der Tagesspiegel to pen a 5-page article on the Berlin "art world cartel." Scroll down for installation shots and short video.</image:caption>
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      <image:caption>Definition of Art, 2011 Infographic dimensions variable</image:caption>
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      <image:caption>Still, Black Crystal Blues, 2019 2 Channel video 2min duration with audio</image:caption>
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      <image:title>Artwork - State of the Union, 2019</image:title>
      <image:caption>Single-channel video duration 4min on view Spring 2019 at University of Denver - Anderson Academic Commons with score by Kevin Cincotta Talent: Natalie Beckman Music: KOKOROKO - ABUSEY JUNCTION // WE OUT HERE</image:caption>
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      <image:caption>Gold Gagosian, 2011 Mixed-media Personal Gagosian Gallery business cards, gold-leafed and woven as fetish luxury objects</image:caption>
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      <image:caption>The Only Women in Art History Who Matter According to Richard Serra, as written by Richard Serra on Gagosian Gallery letterhead, 2006 Ink on paper Diptych, each 38 x 31 cm framed This artwork arose from a (friendly) argument I had with Richard Serra regarding the merits of a certain artist's work while I was working at Gagosian Gallery and he was preparing for an exhibition. While debating, Richard grabbed a sharpie and some nearby letterhead and wrote this list. “Here,” he said. “These are the only women in art history who matter.” I kept the list Richard wrote (in which he misspelled quite a few names), framed it and created an accompanying commemorative plaque.  Exhibited: An die Freunde, curated by Anna Erickson, Kino International Kunst, Berlin, 2013</image:caption>
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    <lastmod>2026-03-20</lastmod>
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      <image:caption>Nouveau Art Nouveau, 2011 Tape Modern | Berlin, Germany Artists: SARAH ANTON, NICKY BROEKHUYSEN, DAG, AMIE DICKE, FRANK EICKHOFF, PETER FREITAG, MARC FROMM, JAMES GORTNER, GOULD, ELIZABETH HEPWORTH, WILEY HOARD, OLIVER KROLL, HIROSHI MACDONALD MORI, TIM MEEHAN, JEONG RYU, POLINA SOLOVEICHIK, PAUL SZUSZINSKI, ANNE VON FREYBURG, MARA WAGENFUEHR   Nouveau Art Nouveau presents artworks by 20 artists that re-contextualize classical staples of Art Nouveau, the international aesthetic movement at the turn of the 20th century that sought to merge art and everyday life. Stylized organic and curvlinear forms, symmetrical design, figurative representation and craftmanship are all basic tenements of Art Nouveau style, evident in the undulating patterns, decorative ornament and graphic illustration that defined the era. Textiles and furniture, fashion and architecture were all encompassed by the movement. Above all else, beauty and a "return to nature" were the two prevailing themes around which the Art Nouveau philosophy took shape. The artists presented in Nouveau Art Nouveau each appropriate degrees of the aesthetic in a range of media--from traditional forms of painting to more modern, digital processes--while still alluding to the original movement, its permutations and its influence as it emerged in Paris (as Art Nouveau), Germany (as Jugendstil), the UK (as the Arts and Crafts Movement) and beyond.  Image: work by Amie Dicke, photo by Maxime Ballesteros</image:caption>
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      <image:caption>Friederike Haman</image:caption>
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      <image:title>Curating</image:title>
      <image:caption>A Moveable Feast (vs. Stay Hungry) Co-curated with Carson Chan at The Gardens on Glesidreieck, Berlin, April 21st, 2011 Artists: Awst&amp;Walther, Maxime Ballesteros, CaBoume, Telse Bus, Casual Goth, Christopher David, Zhivago Duncan, Fenster, Britta &amp; Ron Helbig, Iku Sakan, Markus Shimizu, Santiago Taccetti Beginning at 9pm, the curators Emilie Trice and Carson Chan are invited to invade STAY HUNGRY with their independent exhibition titled "A Moveable Feast," which will include live performances by local musicians Fenster and invited guests, as well as a series of curated and spontaneous art performances and installations that have been developed organically for this one-night event. A Moveable Feast aims to engage diverse corners of Berlin's creative community, bringing together musicians, contemporary artists, creative environmental activists and the broader public to experience the uniquely surreal atmosphere of the gardens at Gleisdreieck.  *Photo by Maxime Ballesteros</image:caption>
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      <image:title>Curating</image:title>
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      <image:title>Curating</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/1649309038654-9QR69KA5WXDNWW0IZULZ/PXL_20220318_015149452.MP+copy.jpg</image:loc>
      <image:title>Curating</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/1649306906924-E1KGJWX7VEQ5O4XZJXG5/PXL_20220321_005219477.MP+copy.jpg</image:loc>
      <image:title>Curating</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/1649293492405-1NG4822GPJ6LIHW85THI/PXL_20220319_010011169.jpg</image:loc>
      <image:title>Curating</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/1649293753006-VABL8UJYCVLC5DT239DK/PXL_20220321_005212549.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/488cb14e-cbe8-425e-a9b9-4a0c3c0cb2a3/springbreak+copy.png</image:loc>
      <image:title>Curating - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/5ed01e6e-ca50-457d-8b8c-a4b5ee917a75/Screen+Shot+2022-04-06+at+6.02.32+PM.png</image:loc>
      <image:title>Curating - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Curating</image:title>
      <image:caption>Install shot</image:caption>
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      <image:title>Curating</image:title>
      <image:caption>Before...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/1522885982279-YLXAS4UIY4Z3U3BWA0BV/0021.jpg</image:loc>
      <image:title>Curating</image:title>
      <image:caption>After!</image:caption>
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      <image:title>Curating</image:title>
      <image:caption>Louisa Conrad</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/1522885898093-WOSGRKJARTOCL12STQ1A/0004.jpg</image:loc>
      <image:title>Curating</image:title>
      <image:caption>Louisa Conrad</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/1522885909349-6OJ4U7YVOZ6UZF3Y11FV/0007.jpg</image:loc>
      <image:title>Curating</image:title>
      <image:caption>Louisa Conrad &amp; Lucas Farrell</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/1522885914256-Z1UW5N7OBYI9Q3D1QZE7/0009.jpg</image:loc>
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      <image:caption>Lucas Farrell</image:caption>
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      <image:caption>Awst &amp; Walther</image:caption>
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      <image:caption>Awst &amp; Walther</image:caption>
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      <image:caption>David Buckland (video) and Awst &amp; Walther</image:caption>
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      <image:caption>David Buckland</image:caption>
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      <image:caption>Awst &amp; Walther &amp; Lucas Farrell</image:caption>
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      <image:caption>Awst &amp; Walther's "Threshold"</image:caption>
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      <image:caption>Awst &amp; Walther</image:caption>
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      <image:caption>Awst &amp; Walther</image:caption>
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      <image:caption>Southern Utah Museum of Art, Cedar City, Utah (SUMA)</image:caption>
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  </url>
  <url>
    <loc>https://emilietrice.com/emilietrice</loc>
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  <url>
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    <lastmod>2025-07-21</lastmod>
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  <url>
    <loc>https://emilietrice.com/new-page-1</loc>
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    <lastmod>2018-04-17</lastmod>
  </url>
  <url>
    <loc>https://emilietrice.com/thawingwindtext</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2018-04-17</lastmod>
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  <url>
    <loc>https://emilietrice.com/press</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-01-10</lastmod>
    <image:image>
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      <image:title>Press</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/6aaa60c9-0d85-4479-a445-1605dd0c6099/Screen+Shot+2023-08-16+at+3.53.43+PM.png</image:loc>
      <image:title>Press - Southwest Contemporary</image:title>
      <image:caption>“Rafael Fajardo Turns Border Issues into Video Games” by Alexander Ortega. Review of “YOU MADE OUR REALITY INTO A GAME?!?! Pixels, Politics and Play with Rafael Fajardo” at the Southern Utah Museum of Art (SUMA), guest curated by Emilie Trice. Link to article</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/ddbfc7c7-dabb-478a-b840-fee50ca80798/Screen+Shot+2022-07-18+at+1.12.21+PM.png</image:loc>
      <image:title>Press - Westword Mag</image:title>
      <image:caption>Last/Resort Club, an artist collective formed in the darkest days of lockdown to keep creative fires burning while MFA programs and exhibitions were put on hold, relied on the internet to present challenging work online. But now, with relaxed pandemic rulings, the group is hosting a physical show in person, curated by member Emilie Trice. Link to article</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/1578952063971-SN9IKWT1VFUYQ9Y5PCNF/Screen+Shot+2020-01-13+at+2.47.31+PM.png</image:loc>
      <image:title>Press - The Economist</image:title>
      <image:caption>"Emilie Trice, a critic and curator, says the city is a site of pilgrimage for urban art, a “graffiti Mecca”. The image on the Berlin Wall of Leonid Brezhnev and Erich Honecker embracing recently spawned a replica in Lithuania featuring Donald Trump and Vladimir Putin. The German capital is making the most of its reputation with the announcement of the Urban Nation Museum, to open next year." Link to article</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/1594744594972-4BVMRYWJ8UP1XLC8FOHJ/Screen+Shot+2020-07-14+at+10.36.05+AM.png</image:loc>
      <image:title>Press - The National Museum of Women in the Arts</image:title>
      <image:caption>Millennial Pink and CADAF featured in “shows we want to see - online edition” for “Art Fix Friday: June 26, 2020” Link to article</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/1578952151932-II6XW0WUVYS2FH9DLN67/Screen+Shot+2020-01-13+at+2.48.38+PM.png</image:loc>
      <image:title>Press - The Sun Sentinel: Art Basel 2019: All the early buzz on December’s hottest events.</image:title>
      <image:caption>You’d be forgiven for thinking of Brooklyn artist Emilie Trice’s “Millennial Pink” as a shameless grab for your Instagram feed. And you would be wrong. That Pepto Bismol-hued color, splashed all over her virtual-reality installation, is really a Trojan horse bearing a grim message. The installation’s Astroturf carpet and tree branches (denuded of leaves) are coated not in millennial pink but in “Phos-Chek,” a hot-pink fire retardant that’s been used, recently, to extinguish wildfires that have devastated forests in California, Colorado and areas in Siberia, Brazil and the Congo. The piece is one of 29 works at Miami’s first white-tented satellite fair devoted to digital art. Link to full article in the SunSentinel</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/1540589904763-4NF34DEMY9IZ1F6K9ODD/Screen+Shot+2018-10-26+at+3.31.49+PM.png</image:loc>
      <image:title>Press - The Aspen Times: “She looks like she's doing something she's good at in a place she probably shouldn't be doing it.”</image:title>
      <image:caption>From The Aspen Times 2013 review of Skills</image:caption>
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      <image:title>Press - Fortune Mag: “It turns out that the industries of art and technology have an awful lot in common.”</image:title>
      <image:caption>From Fortune Mag 2015</image:caption>
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      <image:title>Press - Time Out Berlin</image:title>
      <image:caption>“The exhibition brilliantly articulates not only Trice’s personal journey over the last few years, but also serves as a penetrating and poignant documentation of an era of optimism and hope in the Berlin art scene.” Link to article.</image:caption>
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      <image:title>Press - Der Tagesspiegel</image:title>
      <image:caption>“Vielleicht muss man von Außen auf Berlin blicken, um zu erkennen, woran die Kunstszene leidet. Aber die Aufforderung von Trice’ Manifest, sich zu verbünden, sie wird längst praktiziert. Viele sagen derzeit: Es gibt in Berlin ein Kunstkartell.” Link to article.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/1547224642854-7ZY7AEA8L5IO6IMCQ32U/Screen+Shot+2019-01-11+at+9.37.00+AM.png</image:loc>
      <image:title>Press - The New York Times</image:title>
      <image:caption>Curated by Christopher David and Emilie Trice of the art group Kollektiv, Lynchmob lives up to the collective’s moniker: The curators asked 30 international contemporary artists to contribute or make art inspired by the work of the filmmaker David Lynch. “This show is really inspired by the building, since the space has a very bizarre, Lynchian feel,” said Trice. “So we decided to just try to amplify that absurdity.” Link to article</image:caption>
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      <image:title>Press - Artforum Diary</image:title>
      <image:caption>The theme of the night was “surreal.” The wondrous array of work by artists including Douglas Gordon, Zak Smith, Yoon Lee, and John Isaacs (not to mention David Nicholson’s luscious painting of his estranged wife dressed like Marie Antoinette styled by David LaChapelle) was as dark and illuminating as the eponymous director’s own unnerving work. But the all-night vernissage was characterized less by an ominous decadence than a celebratory one, redolent of the moment when Laura Dern as Lula purrs, “This whole world’s wild at heart and weird on top.” Link to article</image:caption>
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      <image:title>Press - SLEEK Mag</image:title>
      <image:caption>“For a while now, Emilie Trice hasn’t had a sofa. It’s no longer in her apartment, but rather in the art space .HBC, where the American, together with the New Zealander Christopher David, recently curated an exhibition in an improvised fashion typical of Berlin, yet conceptually strong.” Link to article.</image:caption>
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      <image:title>Press - Artnet</image:title>
      <image:caption>"And it seems as if some of the creative minds that came here in the past couple of years are using this chance to channel their energies into their own projects. Take the recent two-week short-run show "Lynchmob," a massive 30-artist group extravaganza and homage to eccentric film director David Lynch. Organized by 20-somethings Emilie Trice (who’s worked at both Goff+Rosenthal and Bodhi in Berlin, after coming from Gagosian Gallery in New York) and New Zealander Christopher David, the exhibition showcased works by emerging and established Berlin artists in a sprawling multistory space called .HBC Kollektiv that was once East Germany’s Hungarian Cultural Center. The show had the energy of an impromptu underground affair but was far too well curated and installed to be the old kind of Berlin garage show. Young enthusiasm mixed with informed experimentation? Maybe this is exactly what the recession’s upside is all about." Link to article</image:caption>
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      <image:title>Press - Manhattan Magazine: “Anywhere else this building would be condemned, but they’ve given it to a bunch of 25 yr olds.”</image:title>
      <image:caption>From Manhattan Magazine 2008</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/1543596601116-LNURUT9PF972Q98Q2N37/Screen+Shot+2018-11-30+at+9.49.45+AM.png</image:loc>
      <image:title>Press - Dazed Digital, UK</image:title>
      <image:caption>"Emilie Trice, the twenty-six-year-old curator, critic and queen bee of Berlin's artistic American ex-pat community, has brought images of wanderlust by ten top artists to the vast, open space of the Friedrichshoehe, Berlin's newest and rawest cultural center. Highway Child takes its title from Jimmy Hendrix's homage to romantic rolling-stone ramblings. Highlights are Warren Neidich's disquieting, disorienting photographs of American rest-stops and roundsides; Maxime Ballesteros (Biguet)'s photos of reckless, rootless, beautiful youth; and shots from Alec Soth's "Sleeping by the Mississippi", the work recording his five-year travels which wound up on the walls of the 2004 Whitney Biennial." Link to article</image:caption>
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  </url>
  <url>
    <loc>https://emilietrice.com/persistent-echoes</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-18</lastmod>
    <image:image>
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      <image:title>Persistent Echoes</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://emilietrice.com/about-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/cf82df6b-af94-4057-a1b3-851ea6a7cab6/sleek2.jpg</image:loc>
      <image:title>About - Emilie Trice is a writer and curator specializing in contemporary culture and new media.</image:title>
      <image:caption>*Emilie Trice pictured with artists Zhivago Duncan, Maxime Ballesteros, and David Nicholson for Sleek Mag in Berlin.</image:caption>
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      <image:title>About - Make it stand out</image:title>
      <image:caption>Southern Utah Museum of Art (SUMA), venue of “You Made our Reality Into A Game?!?!?” curated by Emilie Trice (2023)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://emilietrice.com/writing-2020</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-07</lastmod>
  </url>
  <url>
    <loc>https://emilietrice.com/writing-cv</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-13</lastmod>
  </url>
  <url>
    <loc>https://emilietrice.com/linet-sanchez</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-06-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/26736fad-c9ee-4de7-93d0-c95d7157ca96/Screen+Shot+2023-06-04+at+6.04.45+PM.png</image:loc>
      <image:title>Linet Sanchez - Make it stand out</image:title>
      <image:caption>LINET SÁNCHEZ GUTIÉRREZ, UNTITLED (DOOR), 2018 | Inkjet Print with archival pigment ink on Epson Glossy 260 gsm with Matte Laminate on Dibond | 79.8 x 128 x 2.5 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/740e0891-9b24-4024-8376-b9b5bbd894ec/Screen+Shot+2023-06-04+at+6.10.22+PM.png</image:loc>
      <image:title>Linet Sanchez - Make it stand out</image:title>
      <image:caption>LINET SÁNCHEZ GUTIÉRREZ, UNTITLED (HALL), 2018-2021 | Inkjet Print with archival pigment ink on Epson Glossy 260 gsm with Matte Laminate on Dibond | 59.9 x 89.9 x 2.5 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/e724eb48-fac3-4a93-b565-80170e936f26/Screen+Shot+2023-06-04+at+6.08.16+PM.png</image:loc>
      <image:title>Linet Sanchez - Make it stand out</image:title>
      <image:caption>LINET SÁNCHEZ GUTIÉRREZ, UNTITLED #7, 2013 | Inkjet Print with archival pigment ink on Epson Glossy 260 gsm with Matte Laminate on Dibond | 79.8 x 119.9 cm | Edition of 5</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://emilietrice.com/contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ac3a379d274cbc0f95f6a00/c280349f-77af-4151-8902-3e536d96ec77/EmilieTrice+Headshot+copy.png</image:loc>
      <image:title>Contact - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
</urlset>

